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USED OSAMU NAKADE / FC-10 [09]
A guitar designed for both classical and flamenco styles by Japanese luthier Osamu Nakade.
Refer to the stamp inside the soundhole for the model name.
A vertical crack approximately 13 centimeters long runs from beneath the bridge on the top of the body to the binding at the body end, and the top shows signs of bulging and warping. Additionally, turning the tuning pegs may produce a āgigi-giā noise. Although two golpe plates are installed between the soundhole and the bridge on the top of the body, they appear to have fused with the topās finish. The guitar will be delivered in its current condition.
There is an impact mark on the headstock, and the body has numerous scratches and dents. A whitish scratch is prominent on the side of the body, and the finish on the back and sides of the body has become cloudy.
Cracks in the finish are visible across the entire top surface, with a concentration of cracks particularly around the bridge. There is paint peeling on the right side of the soundboard on the top, and the metal parts show rust, discoloration, and pitting.
Neck Condition: Good
Fret Wear: 70ā80%
Case: Hard case
Accessories: None
Condition Grade: B: Shows significant wear and signs of use, but is suitable for normal use
We strive to update our information promptly, but as these items are also sold in-store, we ask for your understanding in the unlikely event that they are sold out.
Refer to the stamp inside the soundhole for the model name.
A vertical crack approximately 13 centimeters long runs from beneath the bridge on the top of the body to the binding at the body end, and the top shows signs of bulging and warping. Additionally, turning the tuning pegs may produce a āgigi-giā noise. Although two golpe plates are installed between the soundhole and the bridge on the top of the body, they appear to have fused with the topās finish. The guitar will be delivered in its current condition.
There is an impact mark on the headstock, and the body has numerous scratches and dents. A whitish scratch is prominent on the side of the body, and the finish on the back and sides of the body has become cloudy.
Cracks in the finish are visible across the entire top surface, with a concentration of cracks particularly around the bridge. There is paint peeling on the right side of the soundboard on the top, and the metal parts show rust, discoloration, and pitting.
Neck Condition: Good
Fret Wear: 70ā80%
Case: Hard case
Accessories: None
Condition Grade: B: Shows significant wear and signs of use, but is suitable for normal use
We strive to update our information promptly, but as these items are also sold in-store, we ask for your understanding in the unlikely event that they are sold out.
$0.52
Original: $1.48
-65%USED OSAMU NAKADE / FC-10 [09]ā
$1.48
$0.52Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
A guitar designed for both classical and flamenco styles by Japanese luthier Osamu Nakade.
Refer to the stamp inside the soundhole for the model name.
A vertical crack approximately 13 centimeters long runs from beneath the bridge on the top of the body to the binding at the body end, and the top shows signs of bulging and warping. Additionally, turning the tuning pegs may produce a āgigi-giā noise. Although two golpe plates are installed between the soundhole and the bridge on the top of the body, they appear to have fused with the topās finish. The guitar will be delivered in its current condition.
There is an impact mark on the headstock, and the body has numerous scratches and dents. A whitish scratch is prominent on the side of the body, and the finish on the back and sides of the body has become cloudy.
Cracks in the finish are visible across the entire top surface, with a concentration of cracks particularly around the bridge. There is paint peeling on the right side of the soundboard on the top, and the metal parts show rust, discoloration, and pitting.
Neck Condition: Good
Fret Wear: 70ā80%
Case: Hard case
Accessories: None
Condition Grade: B: Shows significant wear and signs of use, but is suitable for normal use
We strive to update our information promptly, but as these items are also sold in-store, we ask for your understanding in the unlikely event that they are sold out.
Refer to the stamp inside the soundhole for the model name.
A vertical crack approximately 13 centimeters long runs from beneath the bridge on the top of the body to the binding at the body end, and the top shows signs of bulging and warping. Additionally, turning the tuning pegs may produce a āgigi-giā noise. Although two golpe plates are installed between the soundhole and the bridge on the top of the body, they appear to have fused with the topās finish. The guitar will be delivered in its current condition.
There is an impact mark on the headstock, and the body has numerous scratches and dents. A whitish scratch is prominent on the side of the body, and the finish on the back and sides of the body has become cloudy.
Cracks in the finish are visible across the entire top surface, with a concentration of cracks particularly around the bridge. There is paint peeling on the right side of the soundboard on the top, and the metal parts show rust, discoloration, and pitting.
Neck Condition: Good
Fret Wear: 70ā80%
Case: Hard case
Accessories: None
Condition Grade: B: Shows significant wear and signs of use, but is suitable for normal use
We strive to update our information promptly, but as these items are also sold in-store, we ask for your understanding in the unlikely event that they are sold out.
